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Orson’s Shadow, based on true events, takes place on the stage of the Gaiety Theatre in Dublin and later on the stage of the Royal Court Theatre. Orson Welles is directing a production of Eugène Ionesco’s Rhinoceros, starring Laurence Olivier and Joan Plowright. Olivier is fresh from his triumphant theatrical portrayal of vaudevillian Archie Rice in John Osborne’s The Entertainer and is about to reprise the role in its film adaptation. He and Plowright are in the early stages of a romantic liaison and his turbulent marriage to Vivien Leigh is all but ended. The noted critic Kenneth Tynan becomes entangled in the conflicts between Welles, Olivier and Leigh, adding tension and complexity to their relationships and influencing their decisions and perceptions. The play debates the merits of stage versus screen, the internal struggle that theatrical performers endure when contemplating a leap to films and the ways the studio system frustrated the careers of individual artists. It is also a study of theatrical egos, each of the protagonists living more on the stage than in real life, each one feeling insecure while jockeying for power.
The piece, originally conceived by Judith Auberjonois and scripted by Austin Pendleton, received critical note during its first production at Steppenwolf in 2000 and its New York debut at Barrow Street Theater in 2005. Its sharp writing and engaging performances contributed to its favorable reception, establishing it as a noteworthy work in contemporary theater. Since that time, Mr. Pendleton has worked on the play, making revisions and further developing the script. This production is historic, as it is not often that TNC productions are remounted.
The piece, originally conceived by Judith Auberjonois and scripted by Austin Pendleton, received critical note during its first production at Steppenwolf in 2000 and its New York debut at Barrow Street Theater in 2005. Its sharp writing and engaging performances contributed to its favorable reception, establishing it as a noteworthy work in contemporary theater. Since that time, Mr. Pendleton has worked on the play, making revisions and further developing the script. This production is historic, as it is not often that TNC productions are remounted.
Show Notes: 1 intermission
Performance Schedule:
TUESDAY-FRIDAY @ 8 PM
SATURDAY @ 2 PM & 8 PM
SUNDAY @ 3 PM
No performance November 28 & 30
Director
Austin Pendleton & David Schweizer
Written by
Austin Pendleton
