Like Brooke’s previous work, the Etudes weave sampled collages with physical theater: productions start as a collage of many recordings, which the ensemble learns to imitate, creating a gestural vocabulary in lock-step with the samples. The work complicates musical culture, using a style developed in shows at Lincoln Center Festival, HERE, Mass MoCA, in what has been called “the most exciting and innovative music theater I’ve seen in years” (Meredith Monk).
The Transcendental Etudes pushes this multidisciplinary language further, riffing on Liszt’s transcendental etudes, piano studies meant for learners, but only playable by virtuosi. The Etudes looks at listeners’ ability to transcend the microphones, speakers and instant-replay love songs that surround them.
The performance is in the round. Circular projection hoops above and behind the audience translate and phonemically parse each etude. A seesaw, chairs, prop mikes and elaborate sound design and lighting fill out the minimal stage. The ultimate effect is something between arena rock, a decathlon and a 19th-c. amateur circus.
Over the course of the evening, and the 10 progressive etudes, the performers learn new languages—through phonemes, songs, mash-ups or simply speaking in tongues–and a fractured snapshot emerges of how we create new ways of communicating, made up of songs.
Performance Schedule:
THURSDAY @ 8:30 PM
FRIDAY @ 8:30 PM & 10 PM
SATURDAY @ 4 PM & 8:30 PM
SUNDAY @ 4 PM