Tickets
PROTOTYPE: OPERA l THEATRE l NOW is a co-production of Beth Morrison Projects and HERE, two trailblazers in the creation and presentation of contemporary, multi-disciplinary opera-theatre and music-theatre works. The pioneering festival is the only one of its kind in New York City and is a model now emulated around the country – producing and presenting a wide spectrum of works, from intimate black-box experiences to larger chamber opera productions, valuing artistic, curatorial and producorial risk-taking.
PROTOTYPE is committed to surprising audiences and confounding expectations through content, form and relevance. The festival gives voice to a diverse group of composers, librettists, performers and musicians across all genres, backgrounds and cultures. In providing a recurring showcase of visionary opera-theatre and music-theatre pieces, the touring life of the work extends around the world. The festival also presents groundbreaking new works by international artists and has become a global reference of artistic excellence in the field of opera and music-theatre.
In Our Daughter's Eyes by Du Yun, Michael McQuilken & Nathan Gunn
January 5-15 @ Baruch Performing Arts Center
Told through the perspective of a new father, In Our Daughter’s Eyes shows the journey of the protagonist as he wrestles with truly becoming a man that his daughter would be proud of. He imparts passages from the journal he keeps — a gift for his unborn daughter — as the moments of this journey unfold before him. The story traces his wife’s joyful and fraught pregnancy, the legacy of the family’s past and his personal demons that he vows to vanquish before assuming the role of a father. Along the way, mounting complications take the story through unexpected and sobering turns that test our flawed hero as he discovers a strength of self and purpose that he never imagined possible.
TRADE/Mary Motorhead by Emma O'Halloran & Mark O'Halloran
January 7-14 @ Playhouse Theater at Abrons Arts Center
A powerful double bill by Irish composer Emma O’Halloran. In the compelling monodrama Mary Motorhead, a convicted murderer invites us to hear her secret history—the disappointments and betrayals that shaped her life—in the hope that it may shine some light upon the darkness of her actions. Mezzo-soprano Naomi Louisa O’Connell stars as the woman pushed to the edge by circumstance, now finding the road back to herself. TRADE is the story of a rent boy and his closeted client in working-class Dublin, both trapped within their own lives. Meeting secretly in a cheap hotel, they wrestle with their own inner demons and their need for each other. Three-time Tony nominee Marc Kudisch, star of LA Opera’s Wonderful Town and anatomy theater portrays a family man whose world is crumbling apart, with international recording artist Kyle Bielfield as a young hustler determined to take charge of his future.
mɔɹnɪŋ [morning//mourning] by Gelsey Bell
January 6-22 @ HERE Mainstage
An experimental opera inhabits a world in which all humans have disappeared from Earth. An ensemble of five vocalist/multi-instrumentalists witness and guide the audience through the changes on Earth as forests grow back, new species evolve, and the human-made world erodes away. The piece is a fantastical and playful exploration into the dire political and ethical contradictions that structure current human relations with nature.
COVID-19 Safety Information:
Masks are required at all performances. Proof of vaccination or negative PCR test are required at some performances.
PROTOTYPE is committed to surprising audiences and confounding expectations through content, form and relevance. The festival gives voice to a diverse group of composers, librettists, performers and musicians across all genres, backgrounds and cultures. In providing a recurring showcase of visionary opera-theatre and music-theatre pieces, the touring life of the work extends around the world. The festival also presents groundbreaking new works by international artists and has become a global reference of artistic excellence in the field of opera and music-theatre.
In Our Daughter's Eyes by Du Yun, Michael McQuilken & Nathan Gunn
January 5-15 @ Baruch Performing Arts Center
Told through the perspective of a new father, In Our Daughter’s Eyes shows the journey of the protagonist as he wrestles with truly becoming a man that his daughter would be proud of. He imparts passages from the journal he keeps — a gift for his unborn daughter — as the moments of this journey unfold before him. The story traces his wife’s joyful and fraught pregnancy, the legacy of the family’s past and his personal demons that he vows to vanquish before assuming the role of a father. Along the way, mounting complications take the story through unexpected and sobering turns that test our flawed hero as he discovers a strength of self and purpose that he never imagined possible.
TRADE/Mary Motorhead by Emma O'Halloran & Mark O'Halloran
January 7-14 @ Playhouse Theater at Abrons Arts Center
A powerful double bill by Irish composer Emma O’Halloran. In the compelling monodrama Mary Motorhead, a convicted murderer invites us to hear her secret history—the disappointments and betrayals that shaped her life—in the hope that it may shine some light upon the darkness of her actions. Mezzo-soprano Naomi Louisa O’Connell stars as the woman pushed to the edge by circumstance, now finding the road back to herself. TRADE is the story of a rent boy and his closeted client in working-class Dublin, both trapped within their own lives. Meeting secretly in a cheap hotel, they wrestle with their own inner demons and their need for each other. Three-time Tony nominee Marc Kudisch, star of LA Opera’s Wonderful Town and anatomy theater portrays a family man whose world is crumbling apart, with international recording artist Kyle Bielfield as a young hustler determined to take charge of his future.
mɔɹnɪŋ [morning//mourning] by Gelsey Bell
January 6-22 @ HERE Mainstage
An experimental opera inhabits a world in which all humans have disappeared from Earth. An ensemble of five vocalist/multi-instrumentalists witness and guide the audience through the changes on Earth as forests grow back, new species evolve, and the human-made world erodes away. The piece is a fantastical and playful exploration into the dire political and ethical contradictions that structure current human relations with nature.
COVID-19 Safety Information:
Masks are required at all performances. Proof of vaccination or negative PCR test are required at some performances.
