Beetlejuice

Apr 08, 2022 - Open Run

Running time: 2:30

PLAYING @

Marquis Theatre
1535 Broadway
New York City, NY 10036

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PUBLIC TRANSPORTATION
By Bus: M104, M10, M27/M50, M6, M7, or M42 bus.

By Subway: 1, 2, 3, 7, 9, N, Q, R, or W train to Times Square, walk north along Broadway to the theatre A, C, or E to 42nd St walk north to 45th St and east to the theatre.

Show Description:

Visit show website

Music

Eddie Perfect

Lyrics

Eddie Perfect

Book

Scott Brown & Anthony King

Director

Alex Timbers

Choreography

Connor Gallagher.

TDF MEMBER TICKETS:

NOT AVAILABLE FOR THIS SHOW

Listed at TKTS:

Frequently

FULL-PRICE TICKETS

$69.00 - $149.00

prices subject to change

ADDITIONAL INFO

Audience Advisory
BEETLEJUICE’s DIGITAL LOTTERY will be open from 9am to 3pm the day prior to the performance. Winners will be notified by email shortly after each drawing and have 60 minutes to claim and pay for tickets online. Tickets will be delivered via email the day of the performance. Seat locations and number of tickets awarded by the lottery are subject to availability. Lottery seats may be partial view. Maximum 2 tickets per entry. https://lottery.broadwaydirect.com/show/beetle-ny/

Age Guidance: 12

Show Notes
1 Intermission

ACCESSIBILITY INFO

Wheelchairs
Accessible seating available at the Box Office only.

Elevator\Escalator
There are both elevators and escalators at this theatre.

Parking
Hotel and valet parking garages: 45th & 46th Sts.

Curb Ramps
SW corner of Broadway & 46th St.; SE corner of 8th Ave. & 46th St.; NW corner of Broadway & 45th St.

Entrance
Door (32") to hotel lobby with elevators. Theater entrance third floor of hotel. Ramp to wheelchair seating. Every row in theater on a different step.

Box Office
Broadway between 45th & 46th Sts. Counter 42".

Restroom
Womens and Mens: Hotel 3rd and 4th floors. Door 47". Stall door 30". Stall 36" x 60". Commode 20". Grab bars.

Water Fountain
Hotel 3rd and 4th floor. Spout 33".8th Floor of Hotel

Telephone
None on premises

Assisted Listening System
Hearing devices available at Box Office. No reservation needed. ID required as deposit. Closed Captioning is also available through the GalaPro app. For more information on GalaPro, check here: https://www.galapro.com/

Visual Assistance
Vision seats can be purchased over the phone (212-382-0100) or in person. Audio Description is also available through the GalaPro app. More information can be found here: https://www.galapro.com/

Folding Armrests
Mobility seats with folding armrests or removable chairs.

VIDEOS

REVIEWS

The Haunted Mansion vibe is on full blast at the Winter Garden, where spooky-carnival pre-show music plays while chartreuse searchlights semi-periodically blind you on your way to your seat and theater staff hawk “It’s showtime!” T-shirts and booze in recognizably striped sippy cups. My usher was sporting a neon-green manicure complete with black-and-white accent nails on each ring finger. (That’s commitment.) Beetlejuice, the rowdy, raunchy musical adapted from Tim Burton’s 1988 horror-comedy, openly embraces the theme park-y aspects of an enterprise like the one it’s engaged in. True to its source material, it’s loud, it’s cheeky, and it’s all about excess. It’s also — thanks in large part to Alex Brightman’s spot-on performance as the incorrigible titular ghoul — a pretty fun time. CONTINUE READING THE VULTURE REVIEW

The musical’s book, by Scott Brown (a former theater critic, perhaps proving there is indeed life after death) and Anthony King, is clever and rich in sardonic wit, with zippy one-liners detonating like a string of firecrackers almost throughout. The musical is considerably funnier than the movie. (Like many new musicals, “Beetlejuice” is lightly larded with nifty in-jokes referencing classic ones: “Hello, Dolly!” and “Brigadoon” and “Fiddler on the Roof.”) CONTINUE READING THE BROADWAY NEWS REVIEW

The retooling done since its out-of-town tryout in D.C. — along with a host of others plot twists and character tweaks — gives the latest film-to-musical adaptation fresh snap, surprises and (gasp!) even heart. Sure, the narrative becomes a bit of a cluster-muck in the second act — but mostly it’s just screamingly good fun. CONTINUE READING THE VARIETY REVIEW