Here's your pass behind the stage doors to feature stories about hot new
shows, exciting news flashes, and essential ongoing programs. Check back
for regular updates.
Featured Stories
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Caissie Levy hurtles into the revival of Murder Ballad
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Lucas Hnath’s experimental new drama explores chaos and control via the Magic Kingdom
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"City Council Meeting" asks what we want from theatre and from government
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The Unusual Staging of Mike Bartlett's "Bull"
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Telling rich American stories with striking visual panache.
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Inside Richard Greenberg's 10th visit to the same theatre
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How Jeff Calhoun stays connected to his hit show
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Robert Cuccioli finds the human side of a comic book monster
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Ayub Khan Din's strange journey with his new musical at The New Group
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Tina Packer navigates "Women of Will"
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Inside the subtle choreography of Broadway's "The Nance"
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Inside the Choreography of "Here Lies Love"
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Sheldon Harnick and Margery Gray Harnick create a book about the city
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How history changed the current revival of "The Big Knife"
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"Southern Discomfort" stages the diversity of the South
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Telling seldom-told stories of Asian culture
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In "Furry," Times Square peddlers wage the ultimate battle
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How Colm Tóibín wrote Broadway's "The Testament of Mary"
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On Broadway, designer Tobin Ost isn't a perfect Victorian
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In "Bullet Catch," a magic trick raises troubling questions
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Talking with the team behind Spring Fling
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Secret Theatre's short play festival serves s smorgasbord of art
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Inside the casting for Broadway's "Motown: The Musica
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In "Saga," Wakka Wakka explores Iceland's economic collapse
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A Queens theatre find unexpected humor in "The Bacchae"
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Inside her role in Christopher Durang's new comedy
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In the drag-heavy Broadway musical Kinky Boots, Stark Sands brings the straight man (ahem) to life ---
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"Then She Fell" immerses patrons in the author's life and work
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Target Margin battles ghosts and expectations in "The (*) Inn"
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Now on Broadway, Cory Michael Smith stars in his third play of the season
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How Keala Settle makes herself guffaw
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The director of "Ann" reveals his staging secrets
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A new play looks at the color-coded world of advertising
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The gossip queen is a unique expert on the Broadway season
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A TDF gala celebrates 40 years of TKTS in Times Square and
An essential man in TKTS history
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Nellie McKay adds zip to Bill Irwin's "Old Hats"
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"Detroit 67" tackles the Motor City's history
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Get to Know the Amoralists Theatre Company
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"Is It Already Dusk?" uses movement to explore revenge
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Inside Rajiv Joseph's new play "The North Pool"
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Lotteries and luck create a unique artistic vision
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How "Bunnicula" became family-friendly fabulousness
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TDF's Stage Doors program reaches students across the city
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The Tony Award-winner brings a fairy godmother to life
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Paul Downs Colaizzo invites arguments at MCC Theater
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Why "All The Rage" needs to seem improvised
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The New Group's "Clive" makes music out of trash and doorframes
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"Outcry" makes lively art from painful American history
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"Isaac's Eye" plays with history and lies
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Director John Rando returns to David Ives' popular comedy
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How improv comedy gives "5 Lesbians…" its crackling energy
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Inside the horror musical "The House of Von Macramé"
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Why Warren Carlyle makes the dancing in "Drood" accessible
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With "Vandal," the celebrated actor becomes a playwright
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The secrets of "Picnic's" set design
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A writer takes Broadway and Off Broadway at the same time
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How the director stages both worlds at once
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Inside the world of a professional child guardian
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Japan's Eiko and Koma bring their installation dance-art to Manhattan
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The tension and terror of "Bethany" at Women's Project Theater
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After 44 years, "The Fig Leaves Are Falling" returns to New York
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Taylor Trensch's body tells a gay kid's story in "Bare: The Musical"
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Dmitry Krymov brings fierce playfulness to St. Ann's Warehouse
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In Broadway's "The Other Place," Sharr White controls our sense of reality
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Autism-Friendly performance at San Diego's Old Globe Theatre of How the Grinch Stole Christmas
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Inside the Focus 2013 Dance Festival
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The 1970s docu-musical gets updated for the 21st century
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Inside this year's festival of cutting-edge theatre
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Amy Herzog on the intentional mysteries in "The Great God Pan"
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ten books about theatre and dance that could make an excellent gift this year.
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Broadway is still hopping during Christmas week, but many Broadway shows have an unusual performance schedule.
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Bartlett Sher's vision for his Broadway revival
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Paula Vogel uses Christmas past to discuss the present
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Mastering the language in "My Name is Asher Lev"
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With "Hearts Like Firsts," Adam Szymkowicz uses his other voice
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Why the fashion designer joined The New Group's "The Good Mother"
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Inside the new Broadway dramedy
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Inside a crucial moment of the August Wilson revival
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The playwright on his new show "Vanya and Sonia and Masha and Spike"
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How composers Pasek and Paul set the classic film to music
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Murder Ballad turns viciousness into sexy entertainment
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How Folksbiene and other New York theatres keep Yiddish drama up to date
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How Cusi Cram created her nuclear play "Radiance"
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Justin Sayre's "The Meeting*" tackles the serious and the frivolous in gay culture
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In Broadway’s “Scandalous,” dance is both religious and entertaining
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After Sandy, "A Twist of Water" has new resonance
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A top choreographer uses rookies for her BAM show
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Inside Blue Coyote's ambitious play
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Inside the imagination of "AliceGraceAnon"
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Inside her performance in Broadway's "The Heiress"
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Samuel Hunter tackles "The Whale"
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Buy matinee and evening tickets at the same time at TKTS
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How "The Performers" stages a risqué world
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Colman Domingo's "Wild With Happy" finds its voice
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"Checkers" sheds light on the president's dark history
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Kyle Soller masters the language in Broadway's "Cyrano"
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Jon Kern's new play finds dark humor in vicious deeds
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"Undesirable Elements" Turns 20
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How "Charlie Victor Romeo" stages the transcripts of airline emergencies
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How the young troupe is developing its style
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Three actors explain how the magic is made
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The subtle secrets of the "Virginia Woolf" set
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How the actress shapes her performance in "Red Dog Howls"
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Why a director avoids realism in The Atlantic's "Harper Regan"
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Off Broadway and off-Off Broadway
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How actors find a story in the Sondheim revue "Marry Me a Little"
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Australia Feels Like Home
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Director Dexter Bullard talks about bringing the heightened reality of "Grace" to Broadway
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Director-choreographer Warren Carlyle talks about the meticulous dance and movement of "Chaplin"
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British playwright Rebecca Lenkiewicz adapts Ibsen's timely classic.
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The Flea uses its acting troupe to support bold work
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The All For One Festival creates a culture of solo theatre
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Jennifer Hurlbert finds what costume designers need
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The inspirations for Lisa D'Amour's comedy "Detroit"
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A Preview of the Fall Season
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Behind the parody costumes in Forbidden Broadway
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Jane Greenwood prepares her costume designs
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Andrea Lynn Green tackles two roles at once
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The world of solo shows at FringeNYC
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Playwright Pia Wilson pushes the notion of ethnic stories
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How TheatreworksUSA turned "Skippyjon Jones" into a musical
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The Mobile Shakespeare Unit brings the Bard to unlikely places
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Jonah Bokaer brings a bold new work to Jacob's Pillow Dance Festival
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Irish Rep brings "New Girl in Town" back to the stage
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The heated play "Warrior Class" springs from Kenneth Lin's life
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An actor preps for Shakespeare in the Park's "Into the Woods"
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Jeff Whitty's fresh book for the Broadway cheerleading musical
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Natalie Venetia Belcon navigates years of revisions to "The Last Smoker in America"
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In "Fela," Melanie Marshall makes unexpected use of her voice
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Gabra Zackman, Hudson Valley Shakespeare, and the Joy of Repertory Theatre
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Robert Hartwell's onstage education in "Nice Work If You Can Get It"
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Lindsay Mendez and Derek Klena find love in a spiky new musical
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Ice Factory and Undergroundzero Make Bold Changes this Summer
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Lincoln Center Theater learns how to use its brand new space
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Intense collaboration produces a powerful show at Soho Rep
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The funny-sincere choreography in "Triassic Parq"
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The New Haarlem Arts Theatre thinks big in uptown Manhattan
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How the "Closer Than Ever" team creates their beloved shows
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How "The Bad and the Better" Blends Wild Humor and Crime Drama
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Many of the students had never been to the theatre before
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The unusual collaboration behind the comedy "3C"
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The "Harvey" star finds inspiration in her family's business
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"The Hunchback Variations" creates absurdity without a director
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All 7 Harry Potter novels get staged in 70 minutes
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"The Bad Guys" finds dark humor in being manly
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"Chimichangas and Zoloft" brings a fresh story to the Atlantic
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a Tony Honor for Excellence in the Theatre
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The director of "Murder in the First" finds the human story in awful crimes
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The Brick's new festival asks provocative political questions
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How Gotham Dance Festival boosts both audiences and artists
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Peter DuBois and Gina Gionfriddo collaborate at Playwrights Horizons
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How J. David Brimmer stages comic fights in "Medieval Play"
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How "I Am a Tree" has startled Dulcy Rogers
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Gabriel Kahane creates musical languages for famous names in "February House"
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A revival tackles the challenge of Shaw's "Man and Superman"
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How the Play Finds Power in Suggestion
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How does the theatre look when TDF presents an autism-friendly performance of a Broadway show?
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Inside the company's ambitious spring season
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How He Changed the Soul of "An Early History of Fire"
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Designer Natasha Katz explains her work for "Once" and "Follies"
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The Tony Nominee gets old-time laughs in "Nice Work if You Can Get It"
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Ben Daniels rides the rhythm of "Don't Dress for Dinner"
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Inside the actor's Tony-nominated performance in "Clybourne Park"
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The actress stars as a blind corporate climber in "Lonely, I'm not"
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A magician brings surprising true stories to his act
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Bryce Pinkham and Da'Vine Joy Randolph shape Broadway roles
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The Tony winner fights death in "The Lyons"
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How the actress became an action heroine for "Peter and the Starcatcher"
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How sets and costumes survive the Broadway farce
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In "You Better Sit Down," the company interviews their own parents
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Why less is more in Dan LeFranc's hit play
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The actress plays a cantankerous diva for Primary Stages
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Students With Hearing Loss See Broadway's Sister Act
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The superstar composer talks about "Godspell", "Wicked", and more
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The actor becomes Perón in Broadway's "Evita"
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How playwright Eric Simonson made theatre out of basketball stars
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We ask the director of "Rated P For Parenthood"
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A new play takes its time at MTC
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A playwright crafts Broadway's "End of the Rainbow"
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Red Bull Theater evokes the play's dark, funny spirit
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The actor tackles old-time politics in Broadway's "The Best Man"
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A concert at Joe's Pub transitions into drama
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Jeff Bowen's overnight edits for "Now. Here. This."
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The BFG collective brings a bold experiment to Queens
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"The Maria Project" turns life into art
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Coincidence shapes a Broadway design
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Nina Raine's play inventively stages the deaf experience
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How sets and costumes support the musical's vision
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Choreographer Jody Oberfelder follows the heart
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The actor gets Happy in Broadway's "Death of a Salesman"
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The actor co-writes and stars in a bold intepretation of Homer
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The Tony Award-winner moves into "Hurt Village"
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The epic emotion in Crystal Pite's choreography
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Qui Nguyen celebrates his family with rebellious style
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Robert Hogan returns to "Rutherford and Son"
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How "The Navigator" got nurtured into success
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How Soho Rep and The Play Company joined forces
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In "Rx," the actress finds the softer side of her comic chops
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"Tokio Confidential's" unlikely combination of styles
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"CQ/CX" mines the metaphors in Jayson Blair's story
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Director Lynne Meadow juggles laughter and tears in a play about cancer, life, and death
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Reimagining Adam Guettel's beloved song cycle
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Sam Gold challenges expectations of the classic play
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The actress fights her impulses in The New Group's latest play
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A theatre makes an asset of its unusual space
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Inside the acrobatic magic of the award-winning show
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How Kate Skarpetowska created striking dances of her own
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"Chimera" suggests many worlds on one stage
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Director Gordon Edelstein discover new facets of Athol Fugard's play
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Once again, Phillip Boykin stars in "Porgy and Bess"
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Matthew Dellapina plays a Yankee adrift in China
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A playwright finds visceral power in the evolution debate
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The prominent theatre festival returns for another year
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The Tony-winning actor plays a spy in "Blood and Gifts"
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Two services push the theatre into online publishing
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The "Stick Fly" star can't worry if we agree with her character
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The "War Horse" sequel finds the power of a good yarn
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Inside Elizabeth Streb's "extreme action" performance
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The "Ugly Betty" star tackles one of Chekhov's most interesting characters
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Honoring Jimmy Smits, Matthew Goldstein, and BEAT
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How Sam Eaton became New York's most prominent mentalist
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Less Than Rent reimagines "Hedda Gabler"
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Marin Ireland dives into a weird and pretty world
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Director Jeff Calhoun brings a new musical to life
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Director John Tiffany brings the hit indie film to the stage
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Inside the fascinating structure of "Queen of the Mist"
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The stars of "Lysistrata Jones" balance comedy and heart
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Inside the new musical's daring projection design
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Thoughts from the stars of "Wild Animals You Should Know"
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Inside a new play's vibrant development process
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Designer Jill BC DuBoff creates a sonic world
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How Theresa Rebeck's new play blends dark laughs and deep thoughts
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Provocative playwright Thomas Bradshaw makes his Off-Broadway debut
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The story behind a fascinating character in a new dark comedy
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TDF among recipients of 2011 Mayor’s Award for Arts and Culture
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The actress tackles Goneril's villainy in "King Lear"
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Chunky Move changes the rules of dance
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Designer Anita Yavich gets metaphysical for Broadway’s “Venus in Fur”
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How crowds and spaces affect PigPen Theatre Company's work
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The "Chinglish" actors speak two languages in their Broadway debuts
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The actor's brain injury guides his performance in "Sons of the Prophet"
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A hot young director focuses on new work
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"Mangella" imagines a desktop-human romance
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Inside Broadway's first autism-friendly performance
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A new production honors the late Lanford Wilson
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In a new Broadway comedy, the actress returns to Woody Allen's world
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How director Lisa Peterson molds the pieces of "Motherhood Out Loud"
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The playwright makes her Broadway debut with "The Mountaintop"
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The dancer liberates flamenco from conventional wisdom
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How do you translate the made-up words in a Swedish play?
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MCC's new play tackles race and identity
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Elevator Repair Service gets inventive with Ernest Hemingway
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Israel Galvan's solo show pushes the boundaries of flamenco dancing
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The New York Neo-Futurists stage nothing but O'Neill's stage directions
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Ars Nova nurtures ambitious insanity in “The Lapsburgh Layover”
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How Fiasco Theater created its celebrated Shakespeare production
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How Kyle Barisich mastered 20 roles in the classic Broadway musical
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The playwright's new show blurs the lines between research and romance
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The “Follies” star delivers a showstopping performance
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A new show pushes the boundaries between the circus and the stage
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Queens Hindu Community Center experiences Broadway for the first time.
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How Off Broadway shows are thriving with limited performances
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How a deaf CUNY law student uses TDF's program
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How the crew handles the raucous finale of the Broadway revival
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Tips for getting the most from FringeNYC
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A teenage playwright joins theatre legends
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How Charles Busch puts real feeling in wild comedy
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How one play has captivated a director for a decade
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How projection designers create their increasingly prominent art
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Director Michael Grief revisits the musical for its New York revival
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he actor-writer launches "The Patsy" and "Jonas"
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Judy Gold and Kate Moira Ryan bicker, laugh, and then write a play
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Jun Kuribayashi thrives with Pilobolus
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How the actress approached her latest Broadway role
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The Voca People try to reach everyone
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After six years, the "Silence of the Lambs" parody musical wants to recapture the magic
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Broadway vet David Chase explains this vital position
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How to play the only “normal” woman in “The Addams Family”
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After 14 years, "Death Takes a Holiday" hits the stage
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A new series at New Georges asks playwrights to write the impossible
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How can the theatre enhance your mind and your personal relationships?
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How the actor is tackling two roles for Shakespeare in the Park
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How Jeff Key traveled from Iraq to the New York Stage
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Amy Herzog looks sideways at grief in her new play
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Look back on a new partnership between CUNY and TDF
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A new play shines a light on a buried Harvard scandal
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For their latest project, a celebrated team keeps pushing boundaries
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A festival at the Brick asks what comics can do on stage
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How TDF impacted every Tony-nominated show this season
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From revivals of old favorite to meetings with new artists, this year's Fringe is already going strong
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An Off Broadway company revives a forgotten classic
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Three current tuners epitomize Off Broadway's culture
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2011 Tony Nominee Derek McLane's approach to set design
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The two stars camp it up in the new musical “Lucky Guy”
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How Mackenzie Crook Mastered His Tony-Nominated Role
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Tony nominee Todd Rosenthal designs "The Mothef**ker With the Hat"
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Target Margin Theater Celebrates Its Second Decade with the Tempest
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Stars (and Rising Stars) Sing at Jim Caruso’s Cast Party
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Director-choreographer Casey Nicholaw on the tone of the hit Broadway musical
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Michael Friedman writes music for Tony Kushner’s latest epic.
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Playwrights Horizons launches an innovative program for parents
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How Patina Miller created her Tony-nominated role in "Sister Act"
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Just in time for the Lucille Lortel Awards, our readers choose their favorites
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How the star of Broadway's "War Horse" learned to act with puppets
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Lisa Gajda and the hard-working ensemble in "Catch Me if You Can"
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A new musical brings a Hollywood choreographer back to Broadway
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The "Anything Goes" star tackles Cole Porter's famous wit
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After five years, John Kolvenbach takes the reins of his own hit play
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Belarus Free Theatre performs plays that would get them arrested back home
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Scott Elliott and Wallace Shawn make a beautiful, brutal twosome
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Our latest update from the City of Angels
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Jenni Barber puts her stamp on the fizzy sixties comedy
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A director handles the realism and the symbolism Soho Rep's latest play
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A front-line report from one of America's most important new play festivals
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See what it takes to get a Playbill into your hand
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David Gallo and the quiet Broadway set
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A Manhattan high school uses local theatre to teach valuable lessons
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How four current productions are putting war on stage
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Riding a "Bengal Tiger" to a Broadway debut
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For the first time, a series for new plays goes completely international
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After playing her in England, Simone Kirby brings a title character to the Irish Rep
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How actors navigate big ideas in the Broadway revival of Stoppard's play
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Transport Group drops Michael John LaChiusa's musical into the audience's lap
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Brian Thomson designs the Broadway musical’s fabulous title bus
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Eddie Taketa anchors new work from Doug Varone and Dancers
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Steven Hoggett creates evocative movement at New York Theatre Workshop
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The celebrated actor is uniquely involved with his latest role
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The actor becomes a director for John Leguizamo’s new Broadway show
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With the Wooster Group's latest production, Scott Shepherd extends his downtown legacy
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A national TDF program brings access to the deaf and hard of hearing
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An Update from The City of Angels
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With "Timon of Athens", Barry Edelstein revitalizes a forgotten play
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The renowned actress reflects on her remarkable life in the theatre
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The vaunted actor discusses the dark side of his latest Broadway role
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How a playwright and director turned dense political ideas into crackling theatre
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TDF’s Guide to Family-Friendly Performances will help
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In "Apple Cove," Erin Gann and "Smallville's" Allison Mack make absurdity feel authentic
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After Sixteen Years, Annmaria Mazzini Leaves the Paul Taylor Dance Company
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In his new Off Broadway play, the artist makes his audience the star
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How two Jewish New Yorkers went to the Middle East and came back with two musicals
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Plucked from a New York club, Dan Mills makes his Broadway debut in “Million Dollar Quartet”
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Jess Goldstein designs costumes for A.R. Gurney’s new play
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How two composers created music for a play's unreal world
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The Pulitzer-winner's new play comes to Broadway without a tryout
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In "The Importance of Being Earnest," the actor relies on everything from his costars to 70s sitcoms.
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A backstage tour with the Broadway musical’s production stage manager
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Your guide to theatre in the Mini-Apple
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Director Michael Wilson balances symbolism and reality in a Tennessee Williams play
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Culturemart stocks its shelves with ambitious new work
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An actress and playwright create a woman deprived of almost everything
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Gordon Clapp and Ann Dowd get angry in The New Group's latest play
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A new show challenges the definition of a conversation
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How "Spider-Man"'s mishaps reflect the long history of stage safety
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How the fest celebrates everything from Beckett to Van Damme
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Exciting things are happening at TKTS!
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With wine and song, three performers push the genre envelope
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Plenty of Broadway and Off-Broadway theatres are open for business on December 25th.
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American Ballet Theatre puts a vivid twist on a holiday classic
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How light and projections bring the Signature's revival to life
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How Broadway pros adapted Green Day’s music for the stage
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Montego Glover and Chad Kimball, tell TDF Stages the secret to playing a role for over seven years.
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How a massive team creates the composer's raucous holiday show
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In "Haunted," the Oscar nominee finds the poetry in a failing marriage
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The Pearl revives an obscure masterpiece
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With A Free Man of Color, the composer opts for a play
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Artists discuss their responsibility to history
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Designing costumes for Broadway's The Pee-wee Herman Show
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Audiences react to fact and fiction in "The Scottsboro Boys" and "Bloody Bloody Andrew Jackson"
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Why "The Language Archive" needs an abstract, metaphorical set
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Plays, musicals, and dance to put you in the holiday spirit
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How the Oscar nominee surfs the chaos of Mistakes Were Made
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The Tony Award winner plays an offbeat poet in "Elling"
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How do you translate the language and culture of a Danish play for American audiences?
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Two designers create dozens of locations for Broadway's "Women on the Verge…"
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How Judith Light transformed into Marie Lombardi
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Peter Nichols' new comedy invites all sorts of debates
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From Hugh Jackman to matinee matrons, these ushers have seen it all
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MilkMilkLemonade gets an Off-Off Broadway remount
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How playing a stroke victim in "Wings" is like a dirty knife fight
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What happens when artists keep collaborating?
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Dancer Richard Winsor puts his stamp on Matthew Bourne's production
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The four-time Tony winner plays a frustrated son in "Driving Miss Daisy"
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Enter the diverse, vibrant world of Cedar Lake Ballet
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Director Ken Rus Schmoll builds silent tension in Will Eno's play
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A new play seeks hope in troubling statistics about African-American men
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The "Scottsboro Boys" stars create metaphorical minstrels
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A Philadelphia theatre company renews its commitment to new work
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The strange experience of seeing "Hotel Savoy"
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Elisabeth Gray and a talking oven bring the poet back to life
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SITI Company injects Shakespeare with radio and Orson Welles.
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How Gabriel Ebert prepared for a Broadway show in less than ten days.
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Why the recent boom in theatre about theatre?
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The "In Transit" team explains how they make a musical with no instruments
|
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Unlocking the structural secrets of a new Broadway play.
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Meet the pioneers who brought sign language interpretation to Broadway
|
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A year in the life of Charles Busch's new play
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How an outsider director rose to Broadway fame
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Drafting sports fans for Broadway's bleachers
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Adam Driver's unusual path to a Broadway debut
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A new play explores the murderous mind
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A pair of plays ask explosive questions about religion and sexuality
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How Broadway shows get altered for the road
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John Tartaglia reveals the secrets of blacklight puppetry
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How Jennifer von Mayrhauser's costumes evoke the spirit of Edward Albee's new play
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A playwright uses comedy to make himself grow up
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Your guide to theatre in B.A., Buenos Aires, Big Apple
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A new play uses history and fiction to argue about faith
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Part III: Hearing political voices
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Part II: How to Find Your Perfect Show
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Part 1: Fringe fest experts give their advice
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Two new shows further establish an unusual genre
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How two new plays were revamped for their Off Broadway debuts
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Inside the training regimen of Broadway’s youngest leading men
|
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The British discount ticket booth celebrates thirty years
|
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Buzz Cohen’s favorite moments from Shakespeare in the Park
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How audiences impacted a new Off Broadway play
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A new musical puts theme before character
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How the Tony-winning writer develops his serious side
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Red Press’ remarkable Broadway career
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The Game Play Festival celebrates “video game theatre.”
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TDF expands a program for young scribes
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Afton C. Williamson gets promoted in “Race”
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Musicians trade the pit for the Broadway stage
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A play with music sheds poetic light on America’s forgotten past
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A London company presents plays via satellite
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Alysia Reiner plays the nearly-forgotten rebel Tina Modotti
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Casting director Duncan Stewart keeps Chicago stocked with fresh (and famous) jazz hands
|
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Your guide to this summer’s theatre in the Big Smoke
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The Playwrights Realm’s innovative plan to get new plays produced a second time
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Dual Tony nominee Jan Maxwell reflects on the difference
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Peccadillo Theater launches a mini-revival for an overlooked playwright
|
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Gerry Bamman tackles a notorious character for Shakespeare in the Park
|
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Behind the frisky puppetry of "Stuffed and Unstrung"
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The puppeteer pulls strings on Broadway and beyond
|
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The latest Toy Theatre Festival is more than child's play
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TDF’s Open Doors program graduates its latest group of theatre and dance lovers
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The playwright discusses his Pulitzer-nominated new show, now at Second Stage
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For her latest role, a musical theatre star becomes a vampy assassin
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The downtown troupe’s latest show finds a vital use for technology
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How the playwright and actress developed her latest play
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Resonance Ensemble links a new play with a classic
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Soap star Michael Park plays multiple roles in a new musical
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A TDF program brings local communities to the theatre
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Actor Keith Perry extends his record-breaking run in Thornton Wilder's play
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Sheila Callaghan’s new play happily contradicts itself
|
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How Katie Finneran developed her Tony-nominated performance in "Promises, Promises"
|
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How TDF impacted every Tony-nominated show this season
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How Epic Theatre brought Sarah Ruhl's new play to a Brooklyn Church
|
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A new play stages a teenage immigrant’s harrowing true story
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Chuck Mead gives "Million Dollar Quartet" its rockabilly flair
|
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How two actors in The 39 Steps play roles within roles within roles
|
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A Q&A with the team behind the New Group’s provocative new musical
|
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Madelyn Ho dances with Taylor II
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Skylar Brandt Dances with ABT II
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Kate Moira Ryan’s new play gleefully pushes boundaries
|
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Adam Cork composes for the unspoken parts of a Broadway play
|
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Ghrai DeVore dances with Ailey II
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Joe Iconis makes a spaghetti western rock show with his favorite gang
|
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Charlie Neshyba-Hodges uses dance to tell stories in Come Fly Away
|
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Behind Cass Morgan’s feisty performance in the Broadway musical Memphis
|
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Why a high school English teacher petitioned to bring TDF’s Stage Doors program to her school
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Slightly cheeky tips on being a fantastic audience member
|
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How emo rock became the soundtrack for a musical about our seventh president
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Playwright Michi Barall puts a modern spin on an ancient tragedy
|
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After twenty years, Ken Ludwig reconnects with his hit Broadway farce
|
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An Australian troupe finds meaning in the circus (in less than an hour)
|
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Kia Corthron’s latest play divines the political power in water
|
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A tiny theatre asks big questions about solo performance
|
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Stars and colleagues honor Broadway producer Stuart Thompson
|
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The Tony-nominated actress discusses her starring role in George Bernard Shaw’s "Candida"
|
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Designer Scott Pask creates the look of "A Behanding in Spokane"
|
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A Step-By-Step Guide from Broadway’s Premier Poster Artist
|
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Craig Wright Reimagines “Oedipus” as a Modern Political Drama
|
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Red Bull Theater continues staging overlooked classics
|
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How Connie Ray transferred her performance in “Next Fall” from Off Broadway to Broadway
|
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TKTS and the New York theatre stay open during the "snowicane."
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Yisrael Campbell’s many religions (and many careers).
|
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Members of the "Yank!" family discuss their history with the musical.
|
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The costumes in The Miracle Worker deliver a subtle message
|
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A slightly cheeky step-by-step guide
|
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"ReEntry" seeks the whole truth about Marines coming home
|
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A performer finds the humor in the dark side of her life
|
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Welcome to Building Character, TDF’s ongoing series about actors and how they create their roles.
|
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Christian Camargo finds surprising similarities in two Shakespearean characters
|
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Making Books Sing asks big questions with a children’s musical
|
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Theatre of a Two-Headed Calf re-imagines a classic American play
|
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Actor Keith Perry sets a record with Thornton Wilder’s classic play
|
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Playwright Lucinda Coxon navigates life as a foreign
woman in the New York theatre scene
|
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A Silent Movie
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Playwright and director Young Jean Lee puts her process on display
|
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A look at the cheers, jeers, and conversation created by TDF’s first book
|
|
An orchestrator strikes a delicate balance in the current Broadway revival
|
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All Grown Up
|
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How Bill Heck created a seven-hour performance for The Orphans’ Home Cycle
|
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An Accessible Performance With Audio Description
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A popular theatre festival resists categorization
|
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Why Jim Brochu brought Zero Mostel's life to the stage
|
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Hip-Hop Dancers Stage Their Own Stories
|
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How David Alan Grier mastered the language in "Race"
|
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The award-winning playwright on the inspiration for "In the Next Room (or the vibrator play)"
|
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An international festival bridges the cultural gap
|
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Choreographer Randy Skinner brings throwback glamour to Irving Berlin’s White Christmas.
|
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Wasserstein Prize-winner Marisa Wegrzyn adjusts to her increasing notoriety
|
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Directors Talk About Technology
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I'm sticking with the Union
|
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Watch as the stars of "Mamma Mia!" share their backstage secrets.
|
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The Wingspace collective puts a new spin on design
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Lowe Taylor is the biggest trouper in Off Broadway’s hit musical "The Marvelous Wonderettes"
|
|
Two directors navigate a trilogy at the Public Theater
|
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"Xanadu’s" Tony-nominated leading lady goes back to the 80’s in "Rock of Ages"
|
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Taylor Mac heads “The Lily’s Revenge”, a five-hour epic at HERE Arts Center
|
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Bill T. Jones opens two works about famous men in New York this month.
|
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The playwright and director of "What Once We Felt" listen to their script
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After seven years, the actor returns to New York theatre with "The Understudy"
|
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Why writer-performers Robert Stanton and Daniel Jenkins perform their new play without props, costumes, or sets.
|
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For composer Adam Gwon, the tiniest changes to “Ordinary Days” have made all the difference
|
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How Christopher Fitzgerald learned to play a leprechaun in “Finian’s Rainbow”
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In her new solo show, Charlayne Woodard turns her audience into a scene partner.
|
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Christopher Akerlind’s design philosophy illuminates
“Superior Donuts”
|
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The cast of "Vigil" wraps its head around unusual roles
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Ars Nova’s experimental ANT FEST relies on a breathless pace
|
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When he wrote his latest Broadway play, Patrick Marber was a different man
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Yes...FREE!
|
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The new musical balances considerable sorrow and considerable joy
|
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How Jayne Houdyshell created her role in "Bye Bye Birdie"
|
|
An Irishman and an African-American both portray the same escaped slave
|
|
Michele Pawk learns to love her character in "Mahida’s Extra Key to Heaven"
|
|
Doug Hughes directs two Broadway plays at the same time
|
|
New York’s Asian-American theatre community is constantly evolving
|
|
Korean-language musicals bring the foreign and familiar to New York
|
|
Lucy Thurber Gets Another Shot at Producing Her First Play
|
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How to Find Your Favorite Show at the New York Musical Theatre Festival.
|
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Keith Huff probes the dark in "A Steady Rain"
|
|
The Foundry Theatre stages its new play on a bus
|
|
Ten dance shows to look forward to this fall
|
|
Colman Domingo turns his family into theatre
|
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How "The Retributionists" turns vengeful Holocaust survivors into political theatre
|
|
September is bursting with free (and very public) events to usher in the new Broadway season
|
|
TDF's new ticketing program offers Off-Off Broadway tickets for $9 apiece to TDF members.
|
|
Aftermath is the carefully curated result of thirty-seven interviews with Iraqi refugees
|
|
A sample of the shows in the fall Off Broadway season
|
|
High School theatre critics know just what to say
|
|
Love him or loathe him, Thomas Bradshaw is a playwright that everyone talks about.
|
|
15 Broadway Shows to anticipate this fall!
|
|
A look at some of what the New York International Fringe Festival has to offer
|
|
The international success "Burn the Floor" makes its Broadway debut.
|
|
From American pop stars to Korean chorus boys, Gregory Butler teaches everyone "Chicago's" moves
|
|
How a documentary film led to surprising new twists in actor-choreographer Rachelle Rak's career
|
|
TDF and TKTS fostered a lifelong love of theatre for playwright Meryl Cohn.
|
|
The idea of a fictional meeting between Irving Berlin and Scott Joplin became The Tin Pan Alley Rag.
|
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Director John Rando talks Toxic Avenger with TDF
|
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Jill Paice Juggles an International Career and a Uniquely Challenging Broadway Role
|
|
Family Friendly Theatre in the City this Summer
|
|
Jennifer Barnhart reflects on her six years in Avenue Q on Broadway.
|
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Director David Cromer takes a fresh, clarifying look at "Our Town."
|
|
TAP Plus Makes Open Captioning Possible for Twelfth Night and Other Shows
|
|
The Summer Shorts Festival Piles on the Plays
|
|
Ryan Link covers multiple roles in Hair.
|
|
13P's Production of Lucy Thurber's "Monstrosity" Reaching Epic Proportions
|
|
Surprise is Key at the Undergroundzero Festival
|
|
Judith Ivey Enjoys a Successful Second Career
|
|
Stephanie J. Block is working 9 to 5 and loving every minute of it.
|
|
Producer Arielle Tepper Madover's SPF offers an outlet for emerging writers, directors, actors and designers to be able to work on their craft with an audience.
|
|
Actor John Glover spent a month parsing Lucky's seemingly impenetrable speech before rehearsals began for Broadway's "Waiting for Godot"
|
|
Janet McTeer and Harriet Walter Learn How Americans Like Their "Mary Stuart"
|
|
Jayne Atkinson finds the comic balance with a little help
from her distinguished co-stars in the Broadway revival of “Blithe Spirit”.
|
|
RAP graduation gets student playwrights a look at their work onstage
|
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Anne Kauffman adds "Stunning" to the list of new American plays she has directed.
|
|
200 students gather to reflect on how TDF Open Doors
might affect their futures. >>
|
|
Playwright Anna Ziegler’s interest in understanding religious commitment led her to write "Dov and Ali."
|
|
Young producer, Orin Wolf brings South Africa’s “Groundswell”
to NYC as the culmination of his T Edward Hambleton Fellowship >>
|
|
Craig Bierko Stays Grounded In His Long-Running Performance as Sky Masterson in "Guys and Dolls"
|
|
An Insiders Look at the making of Coraline
|
|
Pete Mannion’s parents taught him how to use the TKTS booth—and passed on their love of theatregoing, too.
|
|
Zakiyyah Alexander Digs Through the Past in "10 Things To Do Before I Die"
|
|
Rock of Ages and Other Broadway Shows All A-Twitter
|
|
Condola Rashad lends a resilient grace to the Pulitzer-winning drama “Ruined.”
|
|
Michi Barall looks for the in-between spaces where the comedy “American Hwangap” lives.
|
|
TDF’s new “Youth Theatre Initiative” fosters a passion for the theatre and encourages teamwork
|
|
Two Supreme Court clerks tangle over race and sex in Vern Thiessen’s “A More Perfect Union.”
|
|
Why are there so many plays on Broadway? The ever-busy Jeffrey Richards is one reason.
|
|
The Atlantic artistic director caps a busy year with a visit to Ethan Coen's "Offices."
|
|
With its first book,TDF sounds a battle cry for the new American play
|
|
Many great plays have educational value, surely, but the best of them “trick” us into learning by engaging our emotions, tickling our funny bones, and raising up goosebumps of fear and anticipation.
|
|
Many great plays have educational value, surely, but the best of them “trick” us into learning by engaging our emotions, tickling our funny bones, and raising up goosebumps of fear and anticipation.
|
|
Today’s theatre artists and audiences may take for granted that first-class professional theatre happens in every major city in America, not only in New York.
|
|
There are extroverts, and then there are actors who play extroverts well.
|
|
How Tom Kitt's score for "Next to Normal" rocks its characters' world.
|
|
Colman Domingo directs Lisa Ramirez's "Exit Cuckoo," which asks the question: Who's raising our kids?
|
|
Nicholas Martin’s job is to keep thing fast and light, even—perhaps especially—with Durang’s “Why Torture Is Wrong.”
|
|
You could feel the love at the 15th annual TDF/Irene Sharaff Awards.
|
|
You could feel the love at the 15th annual TDF/Irene Sharaff Awards.
|
|
Tovah Feldshuh adds another indomitable heroine to an impressive pantheon in the Broadway hit “Irena’s Vow.”
|
|
Tovah Feldshuh adds another indomitable heroine to an impressive pantheon in the Broadway hit “Irena’s Vow.”
|
|
Zach Grenier holds his own as the irascible genius of “33 Variations.”
|
|
The role of “Billy Elliot” ‘s coal-mining dad has been uniquely gratifying for Gregory Jbara.
|
|
Jane Alexander returns to the stage to play a feisty aging painter who’s “Chasing Manet.”
|
|
In “Mandance Project,” choreographer Eliot Feld explores the indigenous and courts imbalance.
|
|
How to make the fast, funny “Shrek” accessible to audiences with hearing or vision loss? It’s all about set-up and punchline.
|
|
How to interpret the fast, funny “Shrek” for deaf and blind audiences? It’s all about set-up and punchline.
|
|
In "This Beautiful City," composer Michael Friedman followed his characters' words to get closer to their spirit.
|
|
Tempers flare in “The Savannah Disputation,” but Marylouise Burke stays stubbornly—and hilariously—sweet.
|
|
“Adding Machine” director David Cromer takes a fresh, clarifying look at “Our Town.”
|
|
Javier Muñoz, who put the “study” in “understudy,” moves on up “In the Heights.”
|
|
Darrell Dennis spins hilarious, harrowing, and increasingly relevant “Tales of an Urban Indian.”
|
|
Austin Pendleton avoids Uncle Vanya’s ennui by staying busy—in part by directing “Uncle Vanya.”
|
|
Playwright Itamar Moses looks behind the curtain of contemporary romance in “Love/Stories.”
|
|
Donald Margulies adopts a fresh style to tell a sweeping story in “Shipwrecked! An Entertainment.”
|
|
For Aaron Monaghan, the physical demands of “The Cripple of Inishmaan” aren’t his toughest challenge.
|
|
Best known for larger-than-life comic turns, Richard Kind comes down to earth in “Flyovers.”
|
|
In the cutting new comedy “Becky Shaw,” David Wilson Barnes wields the sharpest blade.
|
|
In “Cornbury: The Queen’s Governor,” David Greenspan pays tribute to the other America.
|
|
Broadway brings back the straight play, and the heavy-hitting actors.
|
|
Downtown darling Paul Sparks fires up Broadway’s new “Hedda Gabler.”
|
|
When the weather outside is frightful, the TKTS lines are so delightfully short. What are you waiting for?
|
|
Choreographer David Parsons wants dance audiences to have a good time. How’s that for fresh?
|
|
NY Performing Arts Library’s “Curtain Call” exhibit spotlight some of the stage’s most essential women designers.
|
|
In a way, the Irish Rep’s Ciaran O’Reilly owes his career to Brian Friel, whose play “The Aristocrats” is getting a revival.
|
|
The Public's Under The Radar Festival celebrates cutting-edge contemporary theatre from all over the world.
|
|
Because John Waldo made himself heard, Seattle theatregoers with hearing
loss now have more access--and a trend-setting model.
|
|
Because John Waldo made himself heard, Seattle theatregoers with hearing
loss now have more access--and a trend-setting model.
|
|
Whether in Sondheim or Ibsen or The Who, Michael Cerveris is comfortable
walking, and blurring, the line between good guy and bad guy.
|
|
In a new interview with a young correspondent, Lin-Manuel brings “In the Heights” down to earth.
|
|
How many theatregoers did TDF bring to shows on one recent day? Try close to 10,000.
|
|
Audio Described! helps students with low vision and blindness imagine the visual storytelling of "The Lion King."
|
|
Audio Described! helps students with low vision and blindness imagine the visual storytelling of "The Lion King."
|
|
Audio Described! helps students with low vision and blindness imagine the visual storytelling of "The Lion King."
|
|
How did director Daniel Aukin, a Brit with only passing familiarity with baseball, hit “Back Back Back” out of the park?
|
|
"Shrek"'s Christopher Sieber delivers the goods, even when he's just a little evil.
|
|
For "Pal Joey" costume designer William Ivey Long, costumes are more about storytelling than style.
|
|
Anne Phelan is hooked on theatergoing, so a TDF membership helps her see more of what she loves--and loves to hate.
|
|
In "Sleepwalk with Me," comic Mike Birbiglia tells the story of his dreams—literally.
|
|
For 100 NYC seniors, last spring's visits to Broadway, co-sponsored by TDF, were their first such outings in decades.
|
|
Ivan Hernandez is a lover and a fighter--and a poet--in John Patrick Shanley's new musical "Romantic Poetry."
|
|
"Sweeney Todd" star Donna Lynne Champlin keeps her non-musical career alive in "Bury the Dead."
|
|
How "American Idol" Clay Aiken became a Broadway knight.
|
|
In "Capture Now," Josh Jonas finds the youthful joy in a sad tale.
|
|
Pan Asian Rep’s “Shogun Macbeth” sets the Scottish play in 12th-century Japan.
|
|
Two rowdy audience members inspired Daniel Jenkins and Robert Stanton to create the wacky but warm backstage comedy "Love Child."
|
|
The new Duffy Square and TKTS Discount Booth give New York its newest landmark destination.
|
|
A couple wakes up together with nothing in common but a mystery in Lee Blessing's "A Body of Water."
|
|
Anna Camp isn't horsing around with her fun-loving character in "Equus."
|
|
Jo Strømgren Kompani brings its zany "Society" to New York. Seriously.
|
|
The theatre troupe in "To Be or Not To Be" beats a Nazi occupation with the tools of the stage trade.
|
|
In searching for a journalist's soul in "The Atheist," playwright Ronan Noone is looking out for contradictions.
|
|
The eighth annual Hip-Hop Theatre Festival kicks off with "the break/s" and explores a still-growing form.
|
|
Playwright Steven Levenson translates the real into the magical, and vice versa, in "The Language of Trees."
|
|
Among the highlights of the new Duffy Square are glowing red steps that will provide a landmark centerpiece for Times Square.
|
|
This fall, you can't beat the ticket deals on and Off-Broadway.
|
|
This fall, you can't beat the ticket deals on and Off-Broadway.
|
|
From horses to Poles, ogres to saints, crooks to cads, this Broadway season has something for everyone.
|
|
The veterans of "In Conflict" teach young actors, and audiences, about the human cost of war.
|
|
Broadway maven Seth Rudetsky tells tales out of school on the tribal love-rock musical.
|
|
Jim True-Frost steps from “The Wire” into the family firestorm of “August: Osage County.”
|
|
Kelly Sullivan leaps into the role of sex kitten Inga in "Young Frankenstein."
|
|
Eugene Rodriguez and his wife Jane like to make a day trip of theatregoing, and TDF is there to help.
|
|
Eddie Mekka brings his pre-PC sensibility to "My Mother's Italian, My Father's Jewish and I'm in Therapy."
|
|
Anita Gillette plays three very different women of a certain age in the comedy "Flamingo Court."
|
|
A child prodigy with a genius for origami is the subject of Rajiv Joseph’s “Animals Out of Paper.”
|
|
With TDF Vouchers, you can choose from hundreds of Fringe Fest shows at the friendliest price around.
|
|
How a pair of lovable musical-theatre dorks brought their self-referential "[title of show]" to Broadway.
|
|
Lenelle Moïse's new play explores the special relationship between African-American artists and France.
|
|
TDF opens TKTS Downtown Brooklyn, expanding its ticket outreach and shining a light on the borough's cultural vibrancy.
|
|
Christopher Evan Welch enjoys a challenge. Acting in Durang's "The Marriage of Bette and Boo" amply qualifies.
|
|
The groundbreaking "Passing Strange" is exactly the kind of musical de'Adre Aziza has always been looking for.
|
|
The circus makes a theatrical entrance in "Cirque Dreams Jungle Fantasy."
|
|
For actor/singer Amy Warren, the offbeat musical hit "Adding Machine" is all in the plus column.
|
|
In directing Conor McPherson's "Port Authority," Henry Wishcamper wove singular journeys into a shared experience.
|
|
Katrina Lindsay's Tony-nominated costumes loom large in the layered world of "Les Liaisons Dangereuses."
|
|
Jeremy Lawrence honors Tennessee Williams' complications in "Everyone Expects Me To Write Another Streetcar."
|
|
With his Tony-nominated turn in "A Catered Affair," one-time leading man Tom Wopat plays a hard-working Everyman.
|
|
From "Birdie" and "Annie" to "Marty" and "Minsky's," composer Charles Strouse writes the songs that put on a happy face.
|
|
June leaps forward with four French-flavored dance
programs set to music by Ravel, Stravinsky, de Falla--and Bach
|
|
For "Saved," a musical about Christian teens, playwright Rinne Groff worked to burst her own secular bubble.
|
|
The theatre is where TDF member Ravelle Brickman has made some of her best friends and fondest memories.
|
|
Michael O. Smith pounds "The Bully Pulpit" as Teddy Roosevelt, in a show that's decades in the making.
|
|
Tony nominee Rondi Reed relishes unlovable, complicated characters. Her latest: Mattie Fae in "August: Osage County."
|
|
When it comes to awards-nominated shows on and Off-Broadway, TDF members are the real winners.
|
|
Mary Beth Hurt finds the right notes for Caryl Churchill's resonant 1982 classic "Top Girls."
|
|
Actress Lori Wilner has watched "A Catered Affair" bloom into a sepia-toned drama that packs a wallop.
|
|
A star-studded reading of "Pamela's First Musical"
gives new life to a final effort by two theatre greats.
|
|
The Joyce hosts innovative and intimate second companies of New York's dance giants.
|
|
Actor Gideon Banner hasn't missed a beat between Blue Man Group and the
acclaimed "The Four of Us."
|
|
Julie White finds the humor in most situations, even the disturbing family troubles of "From Up Here."
|
|
Faulkner's "The Sound and the Fury" signifies something new for Elevator Repair Service.
|
|
Boyd Gaines' wry, tender turn in "Gypsy" shines a fresh light on the show's glories--and his co-star's.
|
|
As Luther Billis in the new "South Pacific" revival, Danny Burstein wants his scheming Seabee to be seriously funny.
|
|
First Karen D. Taylor fell in love with the theatre. Then she found TDF--and fell in love all over again.
|
|
Joanna Gleason has a blast from the 1960s past in "Something You Did."
|
|
How do you put a "Drunken City" onstage? Director Trip Cullman explains.
|
|
Austin Pendleton plays an artist whose most famous painting was a forgery in "Another Vermeer."
|
|
Robert L.B. Tobin let his passion for theatrical design guide his collecting career--and left behind an invaluable legacy.
|
|
High schoolers from way uptown give enthusiastic rave reviews to "In the Heights."
|
|
In "The Seafarer," Irish actor Ciarán Hinds plays a very human Devil--which somehow makes him all more chilling.
|
|
What's the sign for "Hakuna matata"? With skilled interpreters and open-captioning, no worries.
|
|
Until the Mint Theatre took up the cause, Hemingway's play about the Spanish Civil War, "The Fifth Column," had never been staged as he wrote it.
|
|
At 80, our resident provocateur revisits two of his absurdist classics: "The American Dream" and "The Sandbox."
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Michael McKean has created a gallery of memorable characters. His latest is Sam, the docile chauffeur of "The Homecoming."
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TDF’s new Play by Play blog, or “Plog,” puts smart young critics on the theatre beat.
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In more ways than one, S. Epatha Merkerson plays against type in "Come Back, Little Sheba."
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These days rock musicals are practically the norm--or at least, "Next to Normal." Composer Tom Kitt explains.
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The Iraq-themed "Betrayed" may be journalist George Packer's first play, but he's a natural dramatist, according to director Pippin Parker.
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Super-busy scenic designer Anna Louizos has five shows currently running in New York. The newest: "In the Heights."
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We can partly thank Beth Henley’s “Crimes” heroine that Lily Rabe became an actress at all.
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Press agent Irene Gandy brings decades of publicity savvy, and fashion sense, to the Broadway shows she represents.
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Iris Bahr's powerful solo show faces horror with a full range of emotions, including humor and rancor.
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Two TDF members met one "Enchanted" matinee, and they've been sharing adjacent seats ever since.
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The new rock musical "Slug-Bearers of Kayrol Island" puts the absurd inside the real--or is that vice versa?
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How Laurie Metcalf keeps a straight face (most of the time) in David Mamet's new political farce "November."
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British philosopher A.C. Grayling brings contemporary arguments over God, faith and secularism to the stage.
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Director Leigh Silverman is busier than ever helping new plays come to life, from "Hunting and Gathering" to "Beebo Brinker."
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How does this Off-Broadway company bridge an ocean? With a common storytelling ethic and a pared-down aesthetic.
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Stew and Heidi Rodewald's "Passing Strange" may be the first Broadway musical to find its feet at Joe's Pub.
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Paul Taylor’s new season samples works old and new, including two inspired by a youthful Mexican adventure.
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Adam Natale fondly remembers standing in the TKTS line, but now he finds deals online as a TDF member.
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David Henry Hwang's new satire stirs fact, fiction and identity politics into a heady and remarkably relevant brew.
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Jimmi Simpson freaked out when he got the Olympic-sized title role in The Farnsworth Invention, but he's glad he took on the challenge.
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How do you put a Hitchcock thriller onstage? It helps to hire a certified chameleon like Arnie Burton.
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Broadway is alive with the sound of great, big, meaty plays--and you don’t have to wait in line for great seats.
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Broadway is alive with the sound of great, big, meaty plays--and you don’t have to wait in line for great seats.
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How Norbert Leo Butz made Daisy, the drag heroine of Mark Twain's "Is He Dead?," a liberated woman.
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Broadway songwriter William Finn doesn’t look back on his own work. That’s where the revue “Make Me a Song” comes in.
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Broadway songwriter William Finn doesn’t look back on his own work. That’s where the revue “Make Me a Song” comes in.
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In approaching the daunting topic of genocide, J.T. Rogers wrote his play first, then sought out expert help and advice.
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Her Broadway debut happened to fall during the stagehands' strike, so Sarah Stiles patiently waited to bow as Kate Monster in "Avenue Q."
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Disney producer Thomas Schumacher's new book gives kids a deluxe backstage tour of the state of theatre art.
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Tourists and locals alike get back in the ticket line as Broadway revs up again.
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When writer/performer Danny Hoch leads a day-long workshop on playwriting, the lessons aren't just theatrical.
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In his new musical play "Queens Boulevard," playwright Chuck Mee finds a global canvas in New York's backyard.
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In his new musical play "Queens Boulevard," playwright Chuck Mee finds a global canvas in New York's backyard.
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The "Bronx Tale" star shares a would-be matinee afternoon with New York-area high school students.
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Whether you're looking for a musical, a drama, a comedy or something further afield, New York bustles with options.
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Shuler Hensley is having the time of his life as the misunderstood monster in Mel Brooks' "Young Frankenstein."
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If any actor could go straight from Cliff Odets to Monty Python's "Spamalot," it would be the versatile Jonathan Hadary.
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Kathleen Chalfant is attracted to political plays and writers, and the feeling is mutual. To wit: Howard Barker's epic "A Hard Heart."
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Nothing stops some theatre lovers from getting to the show, but as Anita Gomez-Palacio explains, TDF makes being a theatre buff easy.
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Why wait? TKTS' "Play Only" window in Times Square delivers discount tickets in no time at all.
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From dinette to diva, Debra Monk has created her share of memorable characters. At last, with "Curtains," she's settled into a role in a long-running hit.
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With "The Receptionist," playwright Adam Bock uses his own experiences less for autobiography than for exploration.
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For Halloween, the TDF Costume Collection opens its doors with a discount for TDF members.
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Seasoned Everyman actor Michael Badalucco plays a doorman in the art-history mystery "The Rise of Dorothy Hale."
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Fittingly enough, old friendships and family ties are what led Gerald McRaney to appear in Horton Foote's "Dividing the Estate."
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Unlike her character in "Walmartopia," Cheryl Freeman fishes for adventure outside the comfort zone.
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CTI's new seminar program offers tips to up-and-coming theatre producers from pros who hit "In the Heights," teed up "Radio Golf" and painted "The Color Purple."
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Carole Shelley, who created Madame Morrible, returns to the only truly wicked role in "Wicked."
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Danny Hoch may be the theatrical voice of the hip-hop generation, but with "Till the Break of Dawn," he's speaking through a straight play.
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In designing costumes for "Grease," Martin Pakledinaz channeled the individuality of teenagers--and tried not to think too much.
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As TDF's Costume Collection made its summer rounds, it helped move one famous theatre closer to revival.
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In her new play "Rock Doves," Marie Jones depicts some tough Belfasters who've stayed alive by their wits. She knows whereof she writes.
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Lucy Thurber's "Scarcity" and Kate Fodor's "100 Saints" kick off an exciting season of new plays Off-Broadway.
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George Lee Andrews has been in "Phantom of the Opera" for 20 years straight. How does Broadway's longest-running performer do it?
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Xanthe Elbrick played a pair of lads in "Coram Boy." As Vivie in "Mrs. Warren's Profession," she's still wearing the pants.
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"Iphigenia 2.0" recalls the origins of drama--and starring in it has reminded Kate Mulgrew of why she's onstage.
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TDF's Voucher Program now allows all theatregoers to sample Off-Off-Broadway, including the NY Fringe, for just $9 a ticket.
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The Civilians' Off-Broadway hit show "Gone Missing" takes a whimsical, often profound look at lost and found objects.
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How do you make a bad movie into a hit musical? "Xanadu" skates by on the wit of Douglas Carter Beane.
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Unlike the retired athlete she plays in "Deuce," Marian Seldes doesn't compete at her craft, and she has no intention to leave the arena.
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The festival train has left the station, but you can still hop on board for the summer's farflung theatrical adventures.
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Unlike the successful second-rate author she plays in "Old Acquaintance," Harriet Harris has both talent and respect for her peers.
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Alison Fraser relishes the role, and the company, in Encores! staging of the classic “Gypsy.”
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Linda Hamilton, no shrinking violet, finds a challenge in "One Flew Over the Cuckoo's Nest."
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TDF’s Interpreting for Theatre institute teaches the state of the art to interpreters nationwide and beyond.
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With "Eurydice," playwright Sarah Ruhl makes the familiar seem strange, and vice versa.
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Graduations for TDF's education programs show where theatre lives now.
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TDF's annual tour to the land of plaid samples the best of Edinburgh, Glasgow and other Highland highlights.
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In "LoveMusik," Michael Cerveris finds the key to Kurt Weill's complications in his music.
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Along with its transfer of "A Moon for the Misbegotten," London's Old Vic has brought its passion for education.
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This week's Tony nominations prove that Broadway is still a place where today's most pressing issues find dramatic expression.
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Charlotte D'Amboise's bravura role in "A Chorus Line" is closer to home--and harder--than anything she's done before.
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Pablo Schreiber plays two sides of a family trauma in the moving new play "Dying City."
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The Tony-winning actor takes over the lead in "The Drowsy Chaperone." If the chair fits, why not sit in it?
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Once a year, the TDF Costume Collection opens its doors to some special families--and treats them like royalty.
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He's one of theater's busiest actors. The "Inherit the Wind" star got there role by role, reading by reading.
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This year's Sharaff Award honorees have been influenced by movies, theater, puppets--and each other.
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Karen Ziemba brings all her talents--plus a dash of Betty Comden--to Kander & Ebb's "Curtains."
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Meet the thousands of audience members TDF helps bring to the theatre on a busy Wednesday.
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Chicago-based director Robert Falls mounts the Broadway revival of Eric Bogosian's prescient 20-year-old play "Talk Radio."
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Priscilla Lopez returns to musicals--and to her roots--in the rousing "In the Heights."
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Modern dance's preeminent innovator, and his pathbreaking company, put their best feet forward for an exciting 54rd season.
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Modern dance's preeminent innovator, and his pathbreaking company, put their best feet forward for an exciting 54rd season.
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By day, Sarah Aziz works with TDF's Accessibility Solutions. By night, she accesses her characters' emotions.
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Capathia Jenkins' new show looks at the groundbreaking, and embattled, black film star Hattie McDaniel.
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For native New Yorker John Palumbo, the TKTS Discount Booth is the place to go when he's not plying the acting trade.
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The late-night sensation “Don’t Quit Your Night Job” returns at the Zipper.
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Judy Gold didn’t know she was maternal, let alone typically so, until she found herself channeling her own mother.
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Her characters may have an appetite for destruction, but Theresa Rebeck still gets invested in their fortunes.
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Reviewing theatre is more an art than a science, says Howard Kissel. So is reading the reviews.
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The TKTS Discount Booth and Duffy Square are getting a makeover. Take a peek behind the barricades.
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As producer of the hot new Broadway musical, Tom Hulce has followed a tune called by the material.
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It's standing room only in teaching artist Nilaja Sun's newest classroom
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One NYC teacher comes full circle with TDF's Open Doors mentoring program
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Open captioning reaches more, and says more, than traditional sign language interpretation by itself. That's why TDF's Accessibility Membership has made it a key program.
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Revivals galore? Check. Musicals adapted from movies? Check. Edgy Off-Broadway transfers? Double-check. This is shaping up to be an especially exciting season on the Main Stem.
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Our new online look is more than a cosmetic change—it’s designed to spotlight the many live-performance resources at your fingertips.
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